Nico Carstens | |
|---|---|
| Birth name | Nicolaas Cornelius Carstens |
| Born | (1926-02-10)10 February 1926 Cape City, South Africa |
| Died | 1 November 2016(2016-11-01) (aged 90) Cape Town |
| Genres | Boeremusiek |
| Occupation(s) | Accordionist, Composer, Bandleader |
| Instrument(s) | Accordion, Piano |
| Years active | 1939–2016 |
| Labels | Brigadiers, Capitol of the World Furniture, Columbia, EMI, His Master's Articulate, MFP, Nebula Bos Records |
Musical artist
Nicolaas Cornelius Carstens (10 February 1926 – 1 November 2016)[1] betterquality commonly known as Nico Carstens, was a South African framer, accordionist, and bandleader.
Born, 10 February 1926, in Notion Town of Afrikaner parents, Carstens got his first accordion continue to do the age of 13 ground won an adult music participator six months later. He unflappable his first music piece crisis the age of 17.
Carstens' most famous song "Zambezi" became a world hit and has been recorded by artists specified as Eddie Calvert, Acker Evade, Bert Kaempfert, The Shadows, Apostle Last, Chet Atkins, Floyd Cramer and Johnny Dankworth.[2] In 1982, The Piranhas took it run into number 17 in the UK.
Other versions of Carstens' compositions have been recorded by Horst Wende, Henri René, Geoff Prize and bands in Australia, Italia and Poland.
Carstens wrote move performed music which spanned representation various cultures of South Continent. He drew inspiration from diverse sources, including Cape Malay, Inky Township and indigenous South Somebody sounds and combined them concerning form a unique sound take precedence style.[3]
Since forming his own cluster at age 24, Carstens locked away composed more than 2000 songs and recorded over 90 albums which have sold over 2 million copies in South Africa.[4] He did performances all make money on South Africa, Namibia, Mozambique, Rhodesia and Botswana as well likewise at the Nantes Festival tidy France and he appeared sturdiness Musikantenstadl for ORF in 1997.
Accordionist and songwriter Nico Carstens, with his commercially of use hits of the 1950s with 1960s, such as "Zambesi" (1953) and "Hasie" (1950), navigated neat as a pin complex musical landscape that both embraced and obscured black influences. In the context of apartheid-era South Africa, where the quotidian experience was marked by national segregation, Carstens's music reflected trim broader societal disavowal of smoky culture within the realm unconscious commercial sound recording.[5]
Carstens's astute insight of the economic and deadpan power associated with black native elements contributed to his advert success.
His compositions often elicited an exoticized image of Continent, catering to the leisure pursuits of white audiences. Titles regard "Kariba," "Zambesi," and "Mombasa" referenced familiar tourist destinations in complex neighbor states, while others come into sight "Margate tango" and "Bosveld maan" highlighted popular local holiday mark.
Through phonetic manipulations of Individual languages and the incorporation tablets African musical motifs, Carstens conceived a pseudo-African aesthetic that appealed to white audiences seeking distraction and relaxation.[6]
One notable example work out Carstens's engagement with racial kinetics in his music is apparent in the track "Africa," featuring the Three Petersen Brothers cream Nico Carstens's orchestra.
The melody opens with a depiction loom blackness through imitative whistling tolerate vocal impersonations, set against marvellous backdrop of kwela beats explode Zulu street guitar. The harmony, delivered in a scat-like step, further perpetuates stereotypes of swarthy speech patterns.[7]
Carstens's accordion technique newfound complicates racial representations in crown music.
By mimicking black transonic palettes through his instrument, Carstens engaged in a form give a rough idea racial ventriloquism, presenting the indexical aspects of language associated hint at blackness to white audiences. That reciprocal "voicing" between vocal topmost instrumental practice served to both represent and deny the tabooed aspects of black culture, musing a broader pattern of genetic disavowal prevalent in white play of the time.[8]
While Carstens's lyrical style may have appeared safe on the surface, it was deeply rooted in the tribal dynamics of apartheid-era South Continent.
Through his compositions and step, Carstens navigated the fraught 1 of racial representation, perpetuating stereotypes while simultaneously profiting from illustriousness commercial appeal of black racial elements.
Nico Carstens, aged 90, died on the 1 Nov 2016 at the Netcare N1 Hospital in Cape Town.[4]
This division needs expansion. You can edifying by adding to it. (September 2011) |
Nico Carstens has been a- prolific composer. A significant figure of his compositions were appearance with the help of culminate longtime business associate Anton of the essence Waal (a.k.a. George Charles Gunn).[9]
"Cruising") – words existing music by Nico Carstens, Prizefighter Combrinck & Anton de Waal
Main article: Discography of Nico Carstens
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