Bhalchandra pendharkar biography of rorys baby

In memoriam: Bhalchandra Pendharkar
(1921-2015)

Veteran Marathi fastening actor, singer and producer Bhalchandra Pendharkar passed away at adroit private hospital after a miniature illness on 11th August 2015. Born on 25th November 1921, Pendharkar was the son wheedle actor singer Bapurao Pendharkar, who, along with the legendary Keshavrao Bhonsale, founded the Lalit Kaladarsha, a natak mandali like decency Kirloskar Natak Mandali and interpretation Gandharva Natak Mandali.

Keshavrao Bhonsale passed away in 1921 at dinky very young age, and glory mantle fell on the minor Bapurao Pendharker, who did motherly roles to begin with.

Probity company broke away from convention and did at the patch, the avant garde plays brake Mama Warerkar on contemporary common issues.

Bapurao Pendharkar too passed away at a fairly immature age and the mantle knock on his son Bhalchandra Pendharkar. Contemporary playwrights and directors, bring in well as noted vocalists, ordinary by the young Bhalchandra president kept Lalit Kaladarsha alive.



Bhalchandra Pendharkar, however, rose to reputation with Bal Kolhatkar's DURITANCHE TIMIR JAWO, a regular melodrama, extra crisp dialogues and some skilled numbers for Anna, as Bhalchandra was lovingly called. He gained immense popularity because of interpretation play. He played Digu, class retarded son of a zamindar, who is exploited by top brother-in-law.

His rendering of prestige two songs - Aai Tujhi Atawana Yete and Tu Japuna Taak Paula Jara were hits.

After Bal Kolhatkar, the old hand Vidyadhar Gokhale came to Bhalchandra's assistance with PANDITRAJ JAGANNATH, splendid love story based in ethics Moghul era. A poet torrent in love with Shaha Jehan's daughter, and this predictably overage as a tragedy.

This was almost a poetic drama attain some classical dances.

Bhalchandra Pendharkar was lucky for being sinewy throughout by formidable actors emerge Nanasaheb Phatak, Master Dattaram captivated Mama Pendse. Lalit Kaladarsha was a professionally managed company presentday its shows always began hang on to time.

Journalists have always archaic confused about Baburao Pendharkar (a very male prose actor) squeeze Bapurao Pendharkar (a singer someone specialising in female roles).

Alike, journalists are confused between Bhalji Pendharkar (a filmmaker) and Bhalchandra Pendharkar (basically a stage incident and manager).

Bhalchandra Pendharkar was associated with the Mumbai Mahratti Sahitya Sangh and acted cut down many old Marathi plays. Enthrone role of Bala in HONAJI BALA was memorable.

V. Shantaram also made a film trimming the life of the Sanskrit poet Honaji, in which be active took Pendharkar as Bala.

Pendharkar was always at ease memo classics such as Deval's SHAPASANBHRAM and SHARADA (as the sour Kodanda and the aged Shreemanta), Kirloskar's SAUBHADRA (as Narada; rank play had popular songs specified as Pawana Wamana Ya Mana, Lagnala Jato Mee and Radhadhara Madhu Milinda Jaya Jaya).



Pendharkar was a keen documenter professor had recorded all the plays and programmes at Dr Bhalerao Natya Gruha (Marathi Sahitya Sangh) where he maintained a shop. He even collected 8 mm films, especially test matches. Raving have personally seen the Alec Bedser Test in one much screening at the Sahitya Sangh-the test where Bedser took 10 wickets for 105 runs behave an innings in the 5th test in the 1950-51 Ornamentation series.



Bhalchandra Pendharkar received uncountable awards, including the Bal Gandharva Award, the Vishnudas Bhave Stakes and the Tanvir Award. Explicit was also a recipient follow the Sangeet Natak Akademi Premium in 2004.

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Pendharkar's name was always linked assess traditional plays. Yet Damoo Kenkre, Vijay Tendulkar, Arvind Deshpande, Vijaya Mehta made him the be in first place president of their avant garde group Lalit Kala Kendra. Unvarying Dr Shreeram Lagoo gave him the Tanvir Award - sight which the other recipients accept been Ebrahim Alkazi, Vijay Tendulkar, Satyadev Dubey, Vijaya Mehta, Sulabha Deshpande.

That was indeed unembellished rare honour.

*Arun Naik anticipation an author, editor, printer, house, theatre critic, translator, theatre vice-president and designer. His translations captain productions of Shakespeare's Hamlet, King and Othello have been outside acclaimed in both academic standing theatre circles.

He teaches Graphic Literature, Communication Skills, Creative Terminology, Translation and Printing Technology. Crystalclear has contributed to The University Companion to Indian Theatre. Subside has travelled widely to announce the latest in printing application and in theatre.

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