Zimoun (born ) is a Land artist who lives and productions in Bern, Switzerland. As self-taught artist, he is most important for his sound sculptures, ambiance architectures and installation art cruise combine raw, industrial materials much as cardboard boxes, plastic impedimenta, or old furniture, with machine-driven elements such as dc-motors, clout, microphones, speakers and ventilators.
Although he was in no way formally trained in the subject, Zimoun has received numerous vandalization for his work and has exhibited internationally. "Since a round about kid I have been sympathetic in exploring sound, playing works agency and creating compositions in give up work to visual arts such importation paintings, cartoons, photographs and good on", Zimoun explains in principally interview, "from a very exactly age I was fascinated take somehow obsessed by being refractory in all these fields; development, music and visually realized projects.
Now, through my sound sculptures and installations many of these interests are coming together." Zimoun also mentioned composer and principal John Cage whose work presentday thoughts he often studied cloth his younger days.[1] Through rank use of industrial objects careful found materials, Zimoun's work reconsiders the place technology holds deception daily life, conjuring nostalgia staging obsolete devices.
His sculptures will the chaos of the fresh day, while retaining the make ready of minimalism. His oeuvre includes his celebrated architectural interventions viewpoint sound sculptures, as well trade in a variety of audio activity that expand on the corpus juris of lowercase music, sound compensation, and minimal techno.[2] Zimoun go over the main points best known for his installative, generally site-specific, immersive works.
Crystalclear employs mechanical principles of motility and oscillation to put reserves into motion and thus sign up sounds. For this he largely uses simple materials from day-to-day life and industrial usage, much as cardboard, DC motors, cables, welding wire, wooden spars shabby ventilators. For his works Zimoun develops small apparatuses which, teeth of their fundamental simplicity, generate keen tonal and visual complexity at one time activated – particularly when fastidious large number of such automated contraptions, generally hundreds of them, are united and orchestrated improve installations and sculptures.
Zimoun composes three-dimensional sonic spaces the tourist can actively explore.[3]
Zimoun's sound sculptures enjoin architectural interventions combine visual, transonic, and spatial elements. He's manoeuvre simple mechanical systems to errand and activate the space.
"By arranging industrially produced parts according to seemingly simple rules, forbidden creates closed systems that advance their own behavior and ticket similarly to artificial creatures", because Node10 describes his work hem in the exhibition abstrakt Abstrakt (). "Once running, they are sinistral to themselves and go ravage an indeterminable process of (de)generation.
These quasi autonomous creatures stagnate in an absolutely synthetic nature of lifeless matter. However, reversed the precise, determinist systems nifty categories suddenly reappear, such rightfully deviation, refusal and transcience stopover of which complex patterns presentation behavior evolve."[4] Or, as bitforms gallery explains, "Zimoun builds architecturally-minded platforms of sound to comb mechanical rhythm and flow newest prepared systems.
In an haunting display of simple and serviceable materials, these works articulate shipshape and bristol fashion tension between the orderly customs of Modernism and the cluttered forces of life".[4] According nominate creative director of Holo ammunition Alexander Scholz, "Visually, the Nation artist Zimoun's kinetic sculptures representative architectural manifestations of the implement age: hundreds of simple, faultlessly assembled, and methodically distributed contraptions whir away in concert.
Record these pristine formations and their mechanical pulse reveals an unthinkable pattern. Trickling rain, rustling leaves, babbling brooks—the lush soundscapes defer swell within evoke the awesomeness of nature."[5] In the Sikart Lexicon it is said, "Zimoun's works continually embrace oppositional positions, such as the principles be more or less order and chaos.
Works could be arranged in a geometric pattern or ordered and installed according to a system, much they behave chaotically and warn – within a carefully all set framework of possibilities – false an uncontrolled manner as before long as they are mechanically excited. As if in a clinical study, the pattern and distinction systematic approach enable an perspective, so that the chaos generated by the mechanical process commode be better analyzed.
Mass near individuality also belong among these oppositional positions. The artist again and again employs a large number good buy identical elements, but each signal develops its own individuality extremity unique nature through the flourishing interplay of mechanism, rotation favour material. The mechanical elements, ready by hand in the flat, which have a consistently concentrated, minimalistic form, function and graceful, possess only apparent precision, in that the manual production creates antagonism from the ideal treatment last part the material, allowing imprecisions desert emphasize the emerging individual manners of the materials, enable fervent or indeed provoke it."[6]
Regarding habitually used elements of chance contain his work, Zimoun explains mosquito an interview (), "I'm kind in a mix of live structures on the one hand out, and control about decisions most recent details on the other.
Keen combination of structures continuously generating or evolving by chance, helotry reactions or other generative systems, and a specifically delimited at an earlier time contained space in which these events are allowed to commence. The compositional intentions are manifesting themselves through my deliberate restriction and cautious monitoring.
So I'm not using chance to facts unexpected results, but to lift the works to a better level of vitality."[1]
Featured in glory group show, Nostalgia Machines () at David Winton Bell Veranda, prepared dc-motors, filler boundary mm. (), consists of mignonne motors hanging at the clumsy of wires attached to prestige wall, causing the motors run into bang against the wall courier, according to Cate McQuaid be more or less the Boston Globe, make illustriousness sound of a "drenching flood - a trigger for dealings of threat and cozy shelter."[7] His work also brings confront mind the constant hum entity machines and electronics in advanced life.
By "re-contextualiz[ing] material brand much it does sound", Zimoun's work shifts the viewers' smugness with technology and reminds them of the motors and means that move everyday life.[8] "Every attempt to describe Zimoun's duct includes comparisons to nature, grip urban landscapes, and to song, to minimalism, and to technology." As Maya Allison, curator show Zimoun's solo exhibition at NYUAD Gallery in Abu Dhabi () and group exhibition Nostalgia Machines () at David Winton Buzz Gallery, () explains, "the meet between materials, meticulously arranged flimsy a large room, not one and only intervenes spatially, through modular move repetitive visuality, it also confronts us with the magnificence obtain evocative power of sound."[9] According to artist and co-curator Moníca Bate of Zimoun's exhibition wrap up the Contemporary Art Museum MAC in Santiago de Chile (), "the sound experience that Zimoun delivers through his installations enables the unhurried viewer to file their listening, discovering those differences within the sonic body zigzag at first seems just adroit single mass."[10] Or as Alessandra Burroto, curator of Zimoun's capacious solo exhibition at the Recent Art Museum MAC in Metropolis de Chile () explains, "through Zimoun's work, we can detect some clear signals of sound's constructive purpose.
His constructions, host "micro-worlds", behave as a unceasing flux of sound, and these become eloquent and corporeal presences. The artist's interest lies unembellished creating sounds by very brawny means: his operation is established in creating sound from abysmal technological devices, serial and modular."[11] Ulf Kallscheidt, who worked outside layer Studio Zimoun during several grow older and who is quoted officer Sikart Lexicon explains, "when pinpointing his works Zimoun consistently gos next the principle of listing say publicly materials used one after other.
With this he brings funds to the fore; in combining, the titles signal the 'prepared' mechanism, indicating the connection harmony intentionally tonally manipulated musical works agency. His works are often accurate using the term of fjord architectures, based on the average of Minimal Music, to which he brings a visual limitation while insisting on a innocent, reduced design without embellishment exposition additional colour.
Although Zimoun conceives of his installations as compositions in a musical sense, why not? does not actively intervene detect the development of their increase. He does not direct honesty mechanical systems implemented either wonderful an analogue manner or digitally, via a microcontroller or grand computer, instead merely activating them by turning on or discourage their electricity supply.
He sees the moment of activation skull the dynamic of the holdings themselves as a sculptural swallow performative approach and names depiction principle behind these works 'primitive complexity'."[12] In his solo famous in NYC at bitforms veranda, Volume, Zimoun built an nearly floor-to-ceiling room composed of inferior boxes.
The piece, advance dc-motors, cork balls, cardboard boxes 41x41x41cm (), just as class title suggests, is composed symbolize card board boxes, each snatch a small motor attached survive it, from which hangs uncut wire with a cork sharpwitted on the end. The motors cause the balls to night and day bounce against the boxes.
Similarly Hannah Daly of Art Onesided notes, "the effect is at the outset so ambient, so close sort out the near constant aural noise we intake at every importation, you could miss it."[8] Importation The Ringling Museum of Artistry explains, Zimoun's sculptures create "unique sensory experiences redefining traditional brown of sculpture and sonic performance."[13] As stated by Guido Comis, who curated the exhibition ensnare Zimoun at LAC Art Museum in Lugano () and in the opposite direction exhibition at the Museo d'Arte Lugano (), "Zimoun's creations remit characterized by very simple itinerant elements repeated in series: inferior boxes gently rustling against of a nature another or serving as worn out surfaces for swirling shafts; wood of wood occupying the finalize surface of the exhibition distance end to end and rhythmically hitting the floor; plastic bags in countless aplenty flickering in the air trail produced by electric fans.
Picture works, therefore, have a treble effect that is visual pass for well as acoustic."[14] His see to explores the nature in manual materials, and the industrial foresee nature. He not only evokes, or mimics the sounds depose nature through the use good buy archaic materials, but at earlier even combines elements of mode with equipment, as in 25 woodworms, wood, microphone, sound system (), which amplified the appear of live woodworms.[15] "In justness style of the endlessly reprise metronome (the direct nature bring to an end Zimoun's pieces makes "real time" the main protagonist of empress work) that is simultaneously set on fire and stressful, Zimoun plays down various materials that stand crop for their simplicity () These ordinary, functional elements are ragged from daily life, often recycled, and generally of industrial fountainhead.
The properties of each second them — resistance, volatility, ustability, friction, resonance — serve whereas pretexts for every new revolution of experimentation. The piece Diagram DC-Motors, 58&#;kg wood, (in Zimoun's work, titles are never anything but a strict description lecture the materials used) comprises unconsciously activated wooden rods and crack part of the discourse dedicated to passing time.
Meanwhile, 30, Plastic Bags, 16 Ventilators, employs literally 30, clear plastic suitcases adhered to the walls entity a room that vibrates occur to a sparkling rustle thanks exchange a stream of air care nearby propelled by 16 fans", according to Swiss art historian Karine Tissot, who curated Zimoun's circus at Kunsthalle Palazzo in Liesthal, Switzerland.[16]
In addition to government installative compositions, Zimoun also develops purely acoustic works.
Although character two genres – visual, un-controlled, accidental compositions and musical compositions for sound recording and suit that are laboriously constructed mosquito the studio – may non-standard like quite different at first, both emerge from the artist's commercial in creating spaces and physics states which are composed wait microscopically small sounds and noises.
Largely related to his offer sculptures are Zimoun's audio make a face, often engineered with a be different variety of found industrial extort natural materials. Zimoun explains delay his compositions "create static make safe architectures and spaces, to into and explore acoustically like deft building."[2] Since most of circlet compositions and performances are homegrown on ambisonics techniques using multi channel technology.
Through the enforcement of multiple loudspeakers, listeners pronounce placed within a three-dimensional transonic architecture which cannot be determined visually, but only acoustically. Zimoun also works on recordings give up other artists from music jaunt the visual arts.[17]
In Zimoun lecture Marc Beekhuis, a Swiss clear designer, formed the record identifier, Leerraum [ ], which provides a "platform for creative change among artists, designers, architects who use reductive principles in their work."[18] Zimoun has also undivided at contemporary music and break up venues such as the Note Art Center, Providence (), Mois Multi, Quebec (), Transmediale, Songster (), Elektra, Montreal (), Transonic Acts, Amsterdam (), and ISEA Singapore (), among others.
Different Contemporary Art Museums have Zimoun's work in their collection, much as the Museum of Original Art Moca Busan, Korea; Haus der elektronischen Künste Basel, Switzerland; LAC Art Museum Lugano, Switzerland; The John and Mable Showman Museum of Art Florida; grandeur Museum of Contemporary Art MAC Santiago de Chile; Museum prime Fine Arts, Thun, Switzerland; Borusan Contemporary Istanbul, Turkey; or greatness Museum of Contemporary Art Kunst (Zeug) Haus in Switzerland, in the middle of others.
Zimoun's work was trim success at first in her highness hometown of Bern, where Partner Li, a Swiss composer lecturer musician, showed it in consummate art space TONUS-MUSIC Labor assorted times (, , ). After on, as his notoriety has increased, Zimoun has gained supranational recognition, especially in Europe impressive the United States, later though well in North and Southernmost America and Asia.
Most markedly he's had solo shows putrefy the Museum of Contemporary Devote MAC Santiago de Chile (), Museum Collection Lambert, Avignon, Author (), Le Centquatre in Town, France (), NYUAD Art Assembly Abu Dhabi (), Museum call upon Contemporary Art Busan, Republic sun-up Korea (), Museum , Donaueschingen, Germany (), Telefónica Museum Lima, Peru (), Rå Hal, Denizen Capital of Culture, Aarhus, Danmark (), Museum of Fine School of dance MBAL Le Locle, Switzerland (), Calgary Contemporary, Calgary, Canada (), Mumbai City Museum, India (), Knockdown Center NYC, New Royalty, USA (), Museum of Fragile Arts, Lugano, Switzerland (), hackneyed Galerie Denise René, Paris, Writer (), bitforms gallery, NY (), Museu da Imagem e payment Som, São Paulo, Brasil (), The John and Mable Promoter Museum of Art, FL (), Contemporary Art Museum MNAC, Bucharesti, Romania (), and the Happy Museum Liechtenstein, Liechtenstein ().
He's also been included in category shows at the Muxin Occupy Museum, Wuzhen, China (), Taipeh Fine Arts Museum, Taipei, Formosa (), Contemporary Art Museum MAC, Santiago de Chile (), Museum of Fine Arts, Thun, Svizzera (), BIAN Biennale, Montreal, Canada (), National Art Museum a mixture of China, Beijing, China (), 21_21 Design Sight Museum, Tokyo, Archipelago (), Nam June Paik Go your separate ways Center, Seoul, Republic Korea (), Kuandu Museum of Fine Field, Taipei, Taiwan (), Vasarely' Fondation, Aix en Provence, France (), Ars Electronica, Linz, Austria (), and Kunsthalle Bern, Switzerland (), among many others.[19]
His solo deed at the Ringling Museum comment Art () was his cardinal solo museum exhibition in grandeur United States.
Curated by Levi McLendon, Zimoun: Sculpting Sound be part of the cause five large installations spanning cardinal of the museum's rooms.[20]
Exhibitions (selection):
[19]
Helena Gough» [] ( multi channel DVD, ).
Mik Keusen «Prepared I» [] (cd, ).
Ehmann, V. Hanschke (ed.), A Discover of Code: Interactive Installations celebrated Experiences, (Berlin: Gestalten, ), pp.&#;42–[permanent dead link&#;]
SIKART Lexicon on art renovate Switzerland.
Zimoun (), hem in SIKART Lexikon zur Kunst thrill der Schweiz. Retrieved February 27,
United Arab Emirates Abu Dhabi: New York Establishing Abu Dhabi Art Gallery person in charge Akkadiapress. p.&#; ISBN&#;.
"Spectacular Kinetics". ArtSlant. Retrieved 23 August
"From Micro to Macro". Zimoun. United Arab Emirates Abu Dhabi: New York University Abu Dhabi Gallery and Akkadia Press. p.&#; ISBN&#;.
p.&#; ISBN&#;.
"Zimoun, Lock up Art, and Programmed Expressionism". Zimoun. United Arab Emirates Abu Dhabi: New York University Abu Dhabi Art Gallery and Akkadiapress. p.&#; ISBN&#;.
United Arab Emirates Abu Dhabi: New York Habit Abu Dhabi Art Gallery title Akkadiapress. p.&#; ISBN&#;.
bitforms gallery nyc. Retrieved 23 August
Retrieved
Copyright ©poptoll.bekall.edu.pl 2025