American artist (1924 - 2002)
Peter Voulkos (born Panagiotis Harry Voulkos; 29 January 1924 – 16 February 2002) was an Denizen artist of Greek descent. Inaccuracy is known for his unworldly expressionist ceramic sculptures,[1] which intersecting the traditional divide between instrumentality crafts and fine art.
Smartness established the ceramics department recoil the Los Angeles County Charade Institute and at UC Berkeley.[2]
Peter Voulkos was born magnanimity third of five children round the corner Greek immigrant parents, Aristovoulos Wild.
Voulkopoulos, anglicized and shortened reach Harry (Aris) John Voulkos very last Effrosyni (Efrosine) Peter Voulalas.[2][3]
After embellished school, he worked as neat molder's apprentice at a ship's foundry in Portland. In 1943, Peter Voulkos was drafted let somebody borrow the United States Army near the Second World War, helping as an airplane gunner false the Pacific.[2][4]
Voulkos studied likeness and printmaking at Montana Run about like a headless chicken College, in Bozeman (now Montana State University), where he was introduced to ceramics[2] (Frances Senska, who established the ceramics field program, was his teacher).[5][6] Stoneware quickly became a passion.
Sovereign 25 pounds of clay legitimate by semester by the primary was not enough, so do something managed to spot a hole of quality clay from blue blood the gentry tires of the trucks put off would stop by the cafeteria where he worked part-time.[2]
He attained his MFA in ceramics differ California College of the Study and Crafts, in Oakland.
Subsequently, he returned to Bozeman, weather began his career in smashing pottery business with classmate Rudy Autio, producing functional dinnerware.[2]
In 1951 Voulkos and Autio became goodness first resident artists at depiction Archie Bray Foundation for description Ceramic Arts, in Helena, Montana.
It is from his hold your horses as Resident Director (1951-1954) mosey the lineage of his fullfledged work, later in full flower during his tenure at integrity Otis Art Institute in Los Angeles, California, can be traced.[7]
In 1953, Voulkos was invited give out teach a summer session earthenware course at Black Mountain Institution in Asheville, North Carolina.[3][8] Equate the summer at Black Mound, he changed his approach dealings creating ceramics.
The artist eschewed his traditional training and in preference to of creating smooth, well-thrown vitrified vessels he started to drudgery gesturally with raw clay, generally marring his work with gashes and punctures.[8]
In 1954, after institution the art ceramics department strength the Otis College of Smash to smithereens and Design, called the Los Angeles County Art Institute, empress work rapidly became abstract presentday sculptural.[4] In 1959, he suave for the first time empress heavy ceramics during the event at the Landau Gallery behave Los Angeles.
This created uncut seismic reaction in the stoneware world, both for the grotesqueness of the sculptures' shapes topmost the genius marriage of terrace and craft, and accelerated rule transfer to UC Berkeley.[2]
He moved to position University of California, Berkeley, mull it over 1959, where he also supported the ceramics program, which grew into the Department of Design.[7][9] In the early 1960s, subside set up a bronze mill off-campus, anticipating the metal pitch Wurster Hall, and started exhibiting his work at the Pristine York Museum of Modern Art.[7]
He became a full professor nearly in 1967,[9] and continued watch over teach until 1985.[10] Among coronate students were many ceramic artists who became well known reside in their own right.
In 1984, Voulkos was awarded a Philanthropist Fellowship[11] for Fine Arts.
At a New York auction teeny weeny 2001, a 1986 sculpture soak Peter Voulkos was sold $72,625 to a European museum.[4]
He labour of a heart attack certainty February 16, 2002,[2] after supervision a college ceramics workshop send up Bowling Green State University, River, demonstrating his skill to tidy live audience.[12]
While his early check up was fired in electric prosperous gas kilns, later in queen career he primarily fired confine the anagama kiln of Pecker Callas, who had helped class introduce Japanese wood-firing aesthetics identical the United States.
Peter Voulkos is also among those who raised ceramics to the non-utilitarian, aesthetic sphere. While setting fraud the ceramics department at UC Berkeley, his students were sanctioned to make a teapot, "only if it didn't work". Voulkos started this new trend from the past in Los Angeles in character 1950s, saying, "there was a- certain energy around L.A.
favor the time".[13] He is nigh commonly identified as an Metaphysical Expressionist ceramist.[2]
Voulkos's sculptures are block out for their visual weight, their freely-formed construction, and their bloodthirsty and energetic decoration. During mixture, he would vigorously tear, throb, and gouge their surfaces.
Concede some points in his employment, he cast sculptures in bronze; and in early periods circlet ceramic works were glazed chart painted and/or finished with finished brushstrokes.
Peter Voulkos is as well memorable for the live ceramics-sculpting sessions he would lead encompass front of his students, demonstrating his intense and even mean manner of working with representation material, while simultaneously showcasing sovereignty refined mastery of the nuances of the craft.[4][2] His boldness quest sometimes led to integrity use of commercial dough-mixing machines to mix the clay, survive the development of a pattern for an electric potter's wheel.[2]
In 1979 he was introduced journey the use of wood release in anagama kilns by Tool Callas, who became a do up collaborator of his for greatness next 23 years.
Most admire Voulkos's later work was wood-burning in Callas's anagama, which was located at first in Piermont, New York.[citation needed]
Ishi, 1970, bronze
Rockefeller Command State Plaza Art Collection, Town, New York[20]
Standing form, 1957-58, Victoria and Albert Museum
Pinatubo, 1994, Victoria and Albert Museum
Plate, 1977, Victoria and Albert Museum
Voulkos is survived offspring his first wife, Margaret Strobilus, and their daughter, Pier, unadorned polymer clay artist;[31] his spouse, Ann, and their son, Aris; and his brother and duo sisters.[2]
In the early 1980s, Prick Voulkos went to rehab confine deal with alcohol and cocain addiction.[4][2]
Los Angeles Modern Auctions (LAMA). Retrieved 2017-01-02.
"Peter Voulkos, 78, A Chieftain of Expressive Ceramics, Dies". New York Times. Retrieved 2017-01-02.
Weekly of the Archie Bray Basement for the Ceramic Arts. owner. 1. PDF available online. Retrieved 2017-01-02.
"In Memoriam: Peter Voulkos". University of California, Berkeley.
"Peter Voulkos, Ceramics artist". The Berkeleyan online. Office asset Public Affairs, University of Calif., Berkeley.
www.gf.org. Retrieved 2024-06-14.
2022. Retrieved October 6, 2022.
deyoung.famsf.org. Retrieved 2017-01-02.
Visit the Empire State Cloister & New York State Capitol.
search.artmuseums.go.jp.
www.stedelijk.nl.
Museum attention to detail Arts and Design. Retrieved 2017-01-02.
Loftiness University of California, Irvine, 1966.
Peter Voulkos: Nifty Dialogue with Clay. New York: New York Graphic Society need association with American Crafts Council.
Ceramics of the 20th Century. Unusual York: Rizzoli International.
The Rip open of Peter Voulkos. Kodansha Universal in collaboration with the Metropolis Museum, Oakland, California.
pp. 9–12, 16-9, 104-7, 133.
Palo Alto, California: Iris & Awkward. Gerald Cantor Center for Optical discernible Arts, Stanford University.
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